Insect Literature

“Reading Insect Literature was refreshing and invigorating; so many new interests were piqued, so many theories were sparked. Almost every page holds some titbit of insect life or insect symbolism that I had either overlooked or never come across.” – Dublin Inquirer

“[Insect Literature] is gorgeous little illustrated hardcover reprinting twenty essays by the Irish-Greek writer who made his name in Japan, where he lived and died. An introductory essay by Anne-Sylvie Homassel is included. It’s definitely a wonderful book to dip into.” – Ellen Datlow

“Insect Literature’s unique gathering of Lafcadio Hearn’s insect texts feels authentic and intensely personal: a labour of love for writer, editor, and publisher alike.” – British Society for Literature and Science

“Something for everyone would seem to have been the guiding principle in putting this collection together and it works splendidly well, both as a showcase for Hearn’s writing and by offering us an insight into little known aspects of Japanese culture.” – Black Static

“For Hearn, the lifelong quest for ‘other-worldliness’ that ultimately led him to Japan was exactly the same impulse that drew him to the world of insects . . . The other great star of this sumptuous book, apart from Hearn himself, has to be its publisher, Swan River Press, which with meticulous care has created a beautiful edition replete with original illustrations and superb cover design.” – Japan Times

“With this remarkably unusual work, Hearn sheds light on the strange universe of insects as well as their connections to the spectral world in the Japanese tradition; by merging myth, philosophy, poetry, and popular fancy, he has created a bewitching mixture of the elaborate and the bizarre.” – Irish Journal of Gothic and Horror Studies

“This beautifully produced book—a credit to the pains taken by its publisher—offers a pathway into one of the nineteenth century’s most absorbing and rewarding writers . . . It is indicative of Hearn’s genius that he can endow the seeming smallness of things with universal meaning.” – The Green Book

“L’altra grande star di questo libro e la casa editrice, Swan River Press, che on cura meticolosa ha creato una splendida edizione completa di illustrazioni originali e di una memorabile copertina.” – Internazionale

Insect Literature by Lafcadio Hearn. Cover art by Takato Yamamoto; jacket design by Meggan Kehrli; introduction by Anne-Sylvie Homassel; edited by Brian J. Showers; copyedited by Jim Rockhill; typeset by Ken Mackenzie; published by Swan River Press.

Hardback: Published on 21 October 2015; limited to 300 copies of which 100 are embossed and hand numbered; xiv + 272 pages; lithographically printed on 80 gsm paper; dust jacketed; illustrated boards; sewn binding; head- and tail-bands; issued with one postcard; ISBN: 978-1-78380-009-4.

Hardback: Second edition, first printing was published on 21 November 2023; limited to 450 copies; xiv + 272 pages; lithographically printed on 80 gsm paper; dust jacketed; illustrated Wibalin boards; sewn binding; head- and tail-bands; issued with one postcard and one signature card; ISBN: 978-0-9566587-0-8.

Paperback: Published on 15 October 2020; no limitation; print on demand paperback; ISBN: 978-1-78380-740-6.

“A Letter from Mitchell McDonald”

A reproduction of the following holographic letter was printed at the front of the first edition of Insect Literature (Hokuseido, 1921). It was written by Mitchell McDonald (pictured left, with Hearn), a paymaster for the United States Navy and also the principal owner of the Grand Hotel in Yokohama. In addition to their close friendship until Hearn’s death in 1904, Mitchell also served as the author’s literary executor. Mitchell McDonald perished in the Great Kanto Earthquake in September 1923.

The letter is addressed to R. Tanabe, T. Ochiai, and M. Otani, commending their efforts on the bilingual “Hearn Memorial Translations” series, of which Insect Literature was a part. Otani, who was also a former pupil of Hearn, translated the book into Japanese, which appeared beside Hearn’s original English texts.

Grand Hotel
Yokohama
Jan. 21, 1921

Dear Mr. Tanabe, Mr. Ochiai, and Mr. Otani,

As a friend of Lafcadio Hearn’s, and for that and other good reasons, a friend of yours, I am taking the liberty of saying that in your “Hearn Memorial Translations” you are “running true to form”—a thing to be confidently expected of course—in the proof you give that his whole-souled affection for his Japanese pupils and associates was not at all misplaced, but on the contrary was strikingly warranted in the hearty return to him in full measure of a like affection.

I want to say further that to have had as your teacher a literary star of first magnitude (now blazing alone in the literary firmament as yet without schools or satellites) is a distinction to be exceedingly proud of, but that which is something still more to be proud of is the service you are, yourselves, now in the way of rendering those of the present and rising generations of Japan, who have room in their hearts for love of country—and who are they that have more room in their hearts than the Japanese have for love of country?

In that matter, Hearn must have been Hearn—sent to Japan that with his mighty pen he could acquaint your own intellectuals as well as the outside world with the virtues of the great People of that time a newly recognized member of the Family of Great Nations. Your people have long been made familiar enough with those who looked only for Japanese vices and finding, of course, some that are common to all mankind—now let them become intimately acquainted with the man who looked for, found, could see and could tell what was to be applauded in them—much more, in fact, than they themselves were even faintly aware of—to their glory be said!

The time has come when Japan should learn what it means to “know thyself” as seen in the study of Hearn’ s writings—and at the same time thus to learn English at its best, for, after all, a wide and intimate knowledge of English is a practical consideration of utmost importance. In fact, not the least important feature of what you are doing for your people is making it possible for them to participate with you in the work of the man of whom it was said by the distinguished Associate Professor of English at the Columbia University, New York—John Erskine, Ph.D .—that his (Hearn’s) lectures were “criticisms of the finest kind”, unmatched in English unless we return to the best in Coleridge, and in some ways unequaled by anything in Coleridge!

Your familiarity with the language—thanks to Hearn—qualifies you to put his incomparable English into Japanese as nearly as it can be done, but the greatest service you are doing your fellow scholars lies in giving them Hearn’s English, at the same time that you make it accessible to the Nation at large.

To speak only of the very beginning of your “Hearn Memorial Translations”—every one of the five books a gem of first water—is to invite attention to what stirs the emotions to the depths of the soul, and, any fair-minded man, having read it, who wouldn’t at once resent an unkindness—much less an injustice—to the kind of people there described, is unimaginable.

The time is bound to come when present day insanity wherever existing will be made to give way to soundness of mind, and in that time the benevolent influence of Hearn’s work and that of his disciples will be keenly felt and fully appreciated. Haste the day, dear good friends, and believe me

Always faithfully yours,
Mitchell McDonald